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on 2010-04-11 11:04 (UTC)The background is a bit too busy for my taste though :)
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on 2010-04-11 22:35 (UTC)no subject
on 2010-04-11 17:16 (UTC)no subject
on 2010-04-11 22:37 (UTC)no subject
on 2010-04-13 22:29 (UTC)For myself, I like this bokeh because of three things.
The perceptual depth of the flower in the image varies based on which horizontal third of the picture one looks at; I consider the effect not so much floating in space as an impression of ubiquity, and think it goes well with flowers.
The transitions in the bokeh are smooth; since there's effectively nothing in the foreground, and the background is busy, the effect is to both subdue a lot of perceptual mass to keep it from overshadowing the flower, create a sense of order from the ordering-by-distance effect of the blur, and to perceptually de-saturate the background a little, setting off the red of the flower more strongly. (All of this contributes to what I see as a strong sense of place; that is a nice sort of contrast with something as inherently ephemeral as a flower.)
The most distant half of the background is sufficiently blurred that I can't confidently tell what it is, but it's in large enough blocks of colour and pattern that I can see things in it.
no subject
on 2010-04-13 23:53 (UTC)now to read up on the japanese background.
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on 2010-04-14 00:51 (UTC)I tend to go with "I think that looks nice" and then try to figure out how to articulate why I think that. There does seem to be some commonality to why I think that, so perhaps the aesthetic terminology types are on to something.
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on 2010-04-11 19:59 (UTC)no subject
on 2010-04-11 22:33 (UTC)