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Re: mountainscape
on 2008-02-02 23:40 (UTC)Many of the iconic great photographs are a) technically speaking lousy photographs, b) were manipulated all to heck to get them to the state we know, or c) both of the above.
I like that one a lot, precisely because it gets the layering and ignores the rest.
Re: mountainscape
on 2008-02-03 02:48 (UTC)but to qualify, it ought to fulfill technical requirements of relevant sharpness, the desired hues, proper saturation, and good composition. without that, it won't make the cut for me. that's not enough, however. the other qualities it's got to have are a lot more difficult to define -- a point of view that compels me to look at the image again, some emotional impact, possibly telling a story even if a short one.
this image has some of the latter, but almost none of the former. if it had more of the latter, if it had amazingly much of the latter, then the former wouldn't matter quite as much. like, the famous picture of the naked girl running in vietnam; i saw a newspaper copy of that, so the quality reeked, but really, who cares about the quality. that image had so much emotional impact it could have been technically shite, and i would have remembered it forever anyway.
but that's rare, that something packs that sort of punch, and i don't require it to consider a photograph to be good. many of the photos i admire are technically speaking excellent, in addition to having some emotional content as well. compared to those, this image just doesn't measure up. and it isn't really a good rendition of what i saw, it only gets the layering; it doesn't capture the light, the chroma noises futz up the hues, the snow-capped mountains in the very back aren't visible enough, and the scene was overall much sharper and clearer to my eyes. that was the photo i tried to take, and it didn't work. this isn't false modesty talking, nor do i think i am too critical of myself; i think this is a fairly accurate assessment.