oh yeah, this spinning thing suits me. it's very zen. well, theoretically it's very zen; that is, i can feel how it will become so. most of the time i am still too tense, but i can feel it for moments. i am doing much better with the grey shetland i bought at the cowichan fleece and fibre fair than i did with the nice, commercial top that came with the wheel. i just couldn't draft that properly until i started doing it from the fold; then it was, wow, so much easier.
however, spinning from the fold seems sort of a waste when one has long staple, because one folds that in half. but otherwise i guess i have to separate the roving even more than i did, and predraft the heck out of it. i also think that i need to do a longdraw with that fibre.
the grey shetland is very fluffy and lofty, and while it has lots of little noils, i am actually managing to mostly control the thickness of the single otherwise. i seem to tend towards spinning very thin, and today i practiced to get a little thicker single instead. my twist is really good, too; it's not been as hideously overtwisted as before anymore.
i'm sitting further back as well. i didn't start out real close to the orifice anyway, because it makes sense to be back some so i have more length of yarn to control before it goes onto the bobbin. but i'm now about half a metre back, and that gives me a lot of opportunity to smooth bits out that were a bit too thin, and i am still close enough to be able to see.
i'm basically spinning in some unholy mixture of worsted and longdraw, *snicker*. inchworm didn't work well for me at all; the yarn was very uneven. i might've had too much roving in my hand. in any case worsted technique works for me, from the fold works for me, and i can feel longdraw happening as well. i'm happy with my progress.
if you have no idea what i am talking about, but want to: here's a great page with short videos introducing basic techniques.
however, spinning from the fold seems sort of a waste when one has long staple, because one folds that in half. but otherwise i guess i have to separate the roving even more than i did, and predraft the heck out of it. i also think that i need to do a longdraw with that fibre.
the grey shetland is very fluffy and lofty, and while it has lots of little noils, i am actually managing to mostly control the thickness of the single otherwise. i seem to tend towards spinning very thin, and today i practiced to get a little thicker single instead. my twist is really good, too; it's not been as hideously overtwisted as before anymore.
i'm sitting further back as well. i didn't start out real close to the orifice anyway, because it makes sense to be back some so i have more length of yarn to control before it goes onto the bobbin. but i'm now about half a metre back, and that gives me a lot of opportunity to smooth bits out that were a bit too thin, and i am still close enough to be able to see.
i'm basically spinning in some unholy mixture of worsted and longdraw, *snicker*. inchworm didn't work well for me at all; the yarn was very uneven. i might've had too much roving in my hand. in any case worsted technique works for me, from the fold works for me, and i can feel longdraw happening as well. i'm happy with my progress.
if you have no idea what i am talking about, but want to: here's a great page with short videos introducing basic techniques.