i was joking about building a still, and lynn joked along, saying he was surprised i didn't start my exploration into natural perfumery with doing so.
*chuckle*. not that this really required thinking some more, but i did -- and i believe that this process is fairly typical: i get interested in something people are doing, i'll watch them for a while, and then i start several steps back from what they're doing, at a stage where i can understand how things fit together to produce the outcome that has others excited. i really do like to know how things work, and i like to make them work. i don't go all the way back to some semblance of first principles until much later, though, except that i might do a lot of reading on those principles fairly soon.
frex, i see and feel interesting textures and patterns, which leads to learning how to knit/crochet/needlecraft, which in turn leads to spinning/dying, which leads to growing dye plants, and might in the long run lead to me breeding sheep, alpaca, or silk worms (exposure to
oakenking's endeavours in that area is very, very bad for me). :) i usually collect connected aspects of interest while moving backwards along the chain of production -- spinning and dyeing are separate subpaths, and i came to dyeing long before, and am just revisiting it lately, branching out from natural dyes into synthetic ones.
as regards the perfumery, i'd normally be some months from thinking of making my own extracts. but i am talking about the still already because i've basically been growing plants for fragrance for a long time since, and think that steam extraction of some of them ought to be fairly easy and give good yields (say, for lavender), and guess what time it is? right, harvest time for the first flush.
there is still a wee bit of neroli smell left on the paperstrip. alas, i have neither easy access to mass quantities of bitter orange blossoms, nor will simple steam extraction do the job.