piranha: red origami crane (Default)
and i'm moving away from it because otherwise it will eat my life. i made a comment on tor.com (even though i dislike even going there now); and a couple of posts elsewhere, about why i consider the thirteenth child's premise and world-building a failure. and that's that; i don't need to see more white SFF writers splatter themselves with defensive manure -- they might not be ashamed to hang their hairy white butts out in public, but i am ashamed for them.

juls -- well done. even if LMB didn't seem to get it. jo also rocks, for realizing when she has set foot in a quagmire and instantly shifting to listening and thinking about what she hears instead of lecturing the directly affected people about interrogating the text from the correct perspective.

and here's one post by [livejournal.com profile] rushthatspeaks white folks should read, about history in america, and what has been lost, and how creepily disconcerting that is even if one just likes to read a good escapist story. it's a slightly offset mirror from my own impressions when i arrived in north america and felt ungrounded, something i wrote about in my private journal. i never found the right words for it, because at the time i knew even less than i know now about first nations, but rushthatspeaks gives me the words. thank you.
piranha: red origami crane (Default)
[livejournal.com profile] wild_irises makes the announcement here.
piranha: red origami crane (Default)
i've mostly fallen off the wagon of productivity, *sigh*.

two small things; one went well, one not so much:

continuing experiments in bread baking have resulted in very yummy french bread -- i am mixing bread flour and pastry flour, letting the bread machine do the kneading, and baking it in the oven, spritzing it with saltwater. perfect crumb with just the right size of holes, great chewy crust, and all of that without the hard labour. it also seems to not take so long, which is entirely subjective -- it does take just as long, but having to do less work makes it seem like less time.

the sock experiment (with the tunisian crochet heel and toe) did not go so well. the heel and toe themselves worked out well, but i can't believe i was so stupid to use a variegated yarn for this -- that creates of course discontinuities where the crochet and knit part are sewn together. also, the yarn that i was using -- elann's esprit "sock it to me!" (98.3% cotton, 1.7% elastic) is way, way stretchier than i am used to, and consequently the sock i ended up with has a nice, thick, solid heel and toe (the heel fabric is pretty much perfect; just enough give), and a terribly slouchy everything else. i like the yarn, it feels great when working with it, and it's nice on the skin. but when using it i'll need to completely overhaul any pattern i have, to take into account that stretch that won't quit.

other than that, i am now watching BSG's first season. this does not suck as badly as it might have sucked; in fact i like it better than B5's first season, at least where the acting is concerned. if you're now sputtering, please take into account that i was not a fan of the original BSG, and have never in fact seen any of it. oh, you're sputtering because of what i said about B5? deal. the acting sucked so bad that for me it detracted from the show's otherwise more interesting scope. :)

piranha: red origami crane (Default)
the minneapolis pioneer press has an article about john m. ford's memorial service that, according to [livejournal.com profile] jenett, captures something of the feel of the service quite well.

pls to ignore the ugly headline.
piranha: red origami crane (Default)
wil wheaton reviews the ST:TNG episode where no one has gone before. very funny.

Trekkies who may have begun to dislike Kosinski immediately start a fan club for him when he stops mid-stream to ask "why is this child here?" in reference to Wesley Crusher, who is working on a school project and decked out in a really sweet burnt sienna sweater, straight out of famed Klingon designer K'Talh Ba'akQoth's fall collection.

via diane duane, who co-wrote the original script for that episode, and reminisces about that.
piranha: red origami crane (Default)
what i want to know is how the hell you think yourself qualified to pontificate on the quality of today's SFF if you say shit like:

I am basically disatisfied with what is produced and so I read very little of it. (the person's currently favoured reading material is bujold's vorkosigan romp).

or

I've been very, very disappointed in what science-fisction releases have made it to the shelves the last few times I've been in a mainstream store. I think my last actual purchase was a reprinted Heinlien novel.

catch-22, anyone?

oh, and i am gonna take your opinion real seriously if you can't even spell the name of the single famous author whose work you consider worth buying. nevermind that if your taste is stuck on heinlein, and that is what you consider "good SF", we don't even need to bother talking.

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renaissance poisson

July 2015

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